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SEVENDUST
Press
Release, April 3, 2013
Press
Release, March 26, 2013
Press
Release, January 15, 2013
Press
Release, November 28, 2012
Press
Release, June 13, 2011
Press
Release, April 28, 2010
Tour
Press Release, March 30, 2010
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Release, March 12, 2010
Lajon Witherspoon (vocals)
Morgan Rose (drums/vocals)
Clint Lowery (guitar/vocals)
Vince Hornsby (bass/vocals)
John Connolly (guitar/vocals)
Somehow, Sevendust grow
stronger with each successive album. Their personal bond not only
strengthens, but the music tends to get tougher and tighter as well.
Their ninth full-length offering, Black Out the Sun [7
Bros./ADA-Music], staunchly upholds that tradition. They don't stray
from the bruising hallmarks of their patented style, but they also
don't stick to a script either. They deliver what their diehard
fan base has loved since day one, but they continue to challenge
themselves in the process. As a result, Black Out the Sun
sees Sevendust at their most uncompromising, unwavering, and undeniable.
For the first time since
their formation, the quintet took a much-needed break right after
touring for almost two years behind 2010's Cold Day Memory.
The record served as a milestone for a few reasons. It welcomed
founding guitarist Lowery back into the fold after a 6-year absence
and yielded the band's highest first-week debut ever on the Billboard
Top 200, reaching number twelve on the chart. After the roller
coaster tour cycle, the group enjoyed a real "vacation".
Lowery and Rose joined forces for Call Me No One, dropping their
debut The Last Parade, and Connolly and Hornsby formed
Projected and released Human. However, by the summer of
2012, everyone began chomping at the bit to return to Sevendust.
"It was cool to
recharge for a minute and come back hungry again," admits Connolly.
"We needed to hit the reset button and remember how important
this band was to us. The juices started flowing, and we were thrilled
to do it."
"Taking a break
helped tremendously," Lowery agrees. "We're family, and
we missed each other. We were ready to write, record, and laugh
together again."
That excitement carried
over to the studio. The band retreated to Architekt Music Studios
in Butler, NJ where Call Me No One recorded and immediately got
back in the groove, self-producing alongside engineer Mike Ferretti.
Writing and recording as they went along, the entire album was finished
in merely 31 days, only breaking to enjoy a beverage or two at "The
Murder Bar."
Connolly laughs, "There
was this bar that looked like a house across the street from Architekt.
The first day we got there, the studio owner George Roskos told
us if we went there we'd get murdered. Within five minutes of checking
into our hotel, Lajon, Vinnie, Morgan, and I were in there checking
it out. It happened to be the most unassuming and harmless place
on the planet, but it's part of the album's story."
That story also happens
to be the band's deepest to date. Prior to recording, Lowery endured
the loss of his father Willie, a patriarch for the group as a whole.
The title track went on to serve as a tribute to him.
"Lajon kept saying
the line Black Out the Sun over and over again, and I attached
that title to my experience with my dad," recalls Lowery. "He
was a huge part of my musical history. He was a great musician,
and I idolized him. The song is about the anger I had over losing
him. It's not lashing out, but it's dealing with that sadness positively.
Life gives and it takes. It was important for me to give him this
one last message about how much he means to me."
With its staggering guitars
and impactful melody, "Black Out the Sun" stands indicative
of the record's vibe as a whole. "I always felt like this album
was going to be dark," Witherspoon goes on. "It's darker,
but it's lighter too. From the end to the beginning, you're able
to tap into every emotion. As we get older, we see death more, but
we also life more with these babies we're having and our kids growing
up. We're going through this transition of life and seeing the devastation
and change in the world."
The first single "Decay"
directly reflects upon the state of the world today. Primed with
an explosive groove and guttural distortion, it's Sevendust at their
heaviest. "That song deals with what's going on around us,"
reveals Witherspoon. "There is so much decay, but we're trying
to get to a better place together. It's a hard-hitting track that
really defines what Sevendust is."
There's also another
side of Sevendust, and that comes through on the pensive and poetic
acoustic musing, "Got a Feeling". Penned by Lowery, it's
a haunting moment punctuated by vocal harmonies from all five members.
"It's all of these
random thoughts about life and humanity," the guitarist explains.
"I thought it'd be cool if everyone sang on it. We always like
those dark and moody songs, and this is one of them."
That moment when everyone
sings remains emblematic of the unity at the heart of this group.
It's a big reason why Sevendust stands as strongly as ever since
their landmark self-titled debut. Along the way, three of their
eight albums have reached gold status and they've played to sold-out
crowds around the globe. However, it still feels like the beginning.
Now, the Sevendust freight
train shows no signs of stopping with Black Out the Sun.
"This is the culmination of our career thus far," proclaims
Connolly. "There are all of these bits and pieces of what we
are, but it's newer and updated. Our style is our style. We constantly
strive for a better version of it. There aren't a lot of bands that
have all five original guys after 15 years. It's a very unique gift
we have, and we treasure it."
Witherspoon concludes,
"I can't wait for people to feel the emotion and energy in
this album. I'll never forget the first time we got together. There
was something magic about it. It's like this band is what we were
all meant to do. I still feel that way. I never want to stop. This
is what fans have been waiting for, and Sevendust is here to stay."
— Rick Florino,
December 2012
CONTACT:
Amanda Cagan
ABC Public Relations
(818) 760-8166
acaganpr@aol.com
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